“Fórmula Vol. 3” soars when it expands the scope of the genre and the singer’s own approaches to its trademarks, but falls flat when it relies on backward-looking tropes.
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“Fórmula Vol. 3” soars when it expands the scope of the genre and the singer’s own approaches to its trademarks, but falls flat when it relies on backward-looking tropes.
Read MoreNYT > Arts